During the G7 held in Biarritz in August 2019, 32 fashion companies signed the “Fashion Pact,” an important statement pledging to gradually align the entire sector with the UN’s Sustainable Development Goals (SDGs). The agreement focused primarily on three gaps, relating to the environment, biodiversity and the climate. Since then, the number of signatory companies has risen to 60, and the calls to action have proliferated, demanding traceability and transparency to realize more sustainable, circular fashion. The industry as a whole has been in a frenzy for years: the social and environmental challenges outlined in the pact make it difficult to envisage the future of fashion without a radical transformation of the underlying business models.
What’s more, the ongoing pandemic - beyond the tragedy in human, social and economic terms - is considered by many experts to be an accelerator for a change that was already underway before the health crisis began. During the months of the lockdown, we’ve seen a growing awareness of the need to put a stop to hyper-consumerism and disposable fashion. Indeed, people are now seeking to extend the life of their clothes by mending or refitting them, or by activating the “second hand cycle.” In this sense, the boom of collaborative consumption, including the second hand and vintage markets, is giving fashion companies food for thought about the potential of new circular business models, in particular in light of the habits of the new generations. Millennials and the Gen Z segment, who are most interested in sustainable circular fashion, already represents a very relevant slice of the global fashion and luxury market.
To rethink the future of the industry, we need to shift from a linear “take-make-waste” approach that excludes the consumer from the value chain, to a more evolved model. For instance, virtuous companies have set up take-back schemes: consumers can take the clothes they no longer use back to stores for recycling and upcycling. A reflection of what is happening in the entire sector is being studied at SDA Bocconi School of Management where a research team is focusing on the opportunities and challenges of circularity in fashion and on the indicators to be monitored to obtain concrete results from circular models.
The new “take-make-remake” value chain, which we can rename “renewed fashion value chain,” is based on principles of eco-design, the use of recycled materials and production processes that utilize fewer chemical substances. Production plants are redesigned to guarantee zero waste, while stores are revamped with an eye to sustainability and circularity, actively engaging the consumer and contributing to enhancing awareness in terms of environmental and social impact.
But what are the specific KPIs for each business model that make it possible to measure circularity and scale up pilot projects? What opportunities for circularity are out there in the Italian fashion system and for our SMEs? These questions can only be answered by establishing partnerships in the value chain and creating synergies between various stakeholders who are interested reshaping the industry, making it more and more circular.
To actuate a new future for fashion, it’s essential to recognize the challenges and opportunities for circularity, taking inspiration from good practices and reorganizing business processes as needed. To this end, it could be useful to consider the six main changes that are driving the fashion industry toward a more sustainable and circular future.
Players in the fashion industry are now facing the challenge of reinventing themselves and “refashioning” a new life.